Kaitlyn and Baby Marlee Day in the Life

		A Twenty-four hours In The Life	5:xxx
		Watch What Happens	2:37
		When A Man Loves A Woman	2:48
		California Nights	two:35
		Angel	2:46
		Eleanor Rigby	3:00
		Willow Weep For Me	4:35
		Windy	2:20
		Trust In Me	4:23
		The Joker	3:00

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  Don Sebesky

  Bundled By, Conductor

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,	–
	A Day In The Life LP, Album, Stereo Santa Maria Pressing	A&Grand Records – SP-3001, A&M Records – SP 3001	Usa	1967	United states — 1967
	A Mean solar day In The Life LP, Album	A&Yard Records – 212019	Deutschland	1967	Germany — 1967
	A Twenty-four hours In The Life LP, Anthology, Mono	A&M Records – LP-2001, A&Thou Records – LP 2001	U.s.a.	1967	U.s. — 1967
	A Day In The Life LP, Album, Mono	A&M Records – AML2001, A&M Records – AML2001	Great britain	1967	United kingdom of great britain and northern ireland — 1967			New Submission
	A Day In The Life LP, Album, Stereo	A&1000 Records – SAM 028	South Africa	1967	South Africa — 1967			New Submission
	A Twenty-four hour period In The Life LP, Album, Stereo, Promo	A&M Records – SP-3001, A&Yard Records – SP 3001	US	1967	US — 1967			New Submission
	A Day In The Life LP, Album, Stereo	A&M Records – AMLS2001	UK	1967	UK — 1967
	A 24-hour interval In The Life LP, Album, Stereo Gatefold	A&M Records – SP-3001, A&M Records – SP 3001	U.s.a.	1967	US — 1967			New Submission
	A Twenty-four hour period In The Life LP, Album 180 1000	A&Yard Records – SP 4002	Italia	1967	Italy — 1967			New Submission
	A Day In The Life Reel-To-Reel, seven ½ ips, ¼", 4-Track Stereo, seven" Cine Reel, Album	A&M Records – AMC 3001, A&M Records – OR3001	US	1967	US — 1967			New Submission
	A Day In The Life LP, Album, Stereo Gatefold	A&G Records – SP 3001, CTI Records – SP 3001, A&Yard Records – SP-3001 +1 more than characterization...	The states	1967	US — 1967			New Submission
	A Solar day In The Life LP, Anthology, Stereo Gatefold	A&Chiliad Records – SP 3001	Canada	1967	Canada — 1967			New Submission
	A Day In The Life LP, Album	A&M Records – 212019	Austria	1967	Austria — 1967			New Submission
	A Day In The Life LP, Anthology, Stereo Gatefold	A&K Records – SP 3001, CTI Records – SP-3001	U.s.a.	1967	US — 1967
	A Day In The Life LP, Anthology, Stereo Gatefold	A&M Records – SP 3001	Canada	1967	Canada — 1967
	A Twenty-four hour period In The Life Cassette, Album, Stereo	A&Thou Records – CYP 185 (02)	UK	1967	Britain — 1967			New Submission
	A Day In The Life LP, Album, Mono	A&M Records – LP-2001 , A&One thousand Records – LP 2001	US	1967	US — 1967			New Submission
	A 24-hour interval In The Life LP, Anthology, Stereo Gatefold	A&K Records – SP-3001, A&M Records – SP 3001	US	1967	US — 1967			New Submission
	A Twenty-four hours In The Life LP, Anthology	A&One thousand Records – SAML 932633	New Zealand	1967	New Zealand — 1967
	A Day In The Life LP, Anthology, Stereo Pitman Pressing	A&Grand Records – SP-3001, A&M Records – SP 3001	United states	1967	US — 1967
	A Twenty-four hours In The Life LP, Album, Mono	A&M Records – Mono A&M-LP 2001	Canada	1967	Canada — 1967			New Submission
	A Day In The Life LP, Anthology, Mono	A&M Records – AML-32633	Australia	1967	Australia — 1967			New Submission
	A Day In The Life LP, Anthology, Stereo Gatefold Monarch Pressing	A&K Records – SP-3001, CTI Records – CTS-3002	United states of america	1967	US — 1967			New Submission
	A Day In The Life LP, Album, Promo, Mono	A&1000 Records – LP-2001, A&Yard Records – LP 2001	US	1967	US — 1967			New Submission
	A Day In The Life LP, Album, Unofficial Release, Stereo	Taedo – TLP 69	South Korea	1967	Republic of korea — 1967			New Submission
	A Day In The Life LP, Anthology, Promo, Repress, White Label, Stereo	A&M Records – SP-3001, A&G Records – SP 3001	US	1967	The states — 1967			New Submission
	A Day In The Life LP, Album, Reissue, Stereo Gatefold	A&M Records – AML 301, CTI Records – AML 301, A&Chiliad Records – AML-301, CTI Records – AML-301 +ii more labels...	Japan	1968	Japan — 1968
	A Day In The Life LP, Anthology, Mono	A&M Records – AM 2014, A&One thousand Records – A & K 2014	Brazil	1968	Brazil — 1968
	A Day In The Life LP, Album, Repress, Stereo Gatefold	A&1000 Records – SP-3001, A&M Records – SP 3001	US	1968	US — 1968
	A Day In The Life LP, Album, Stereo	A&Chiliad Records – SAMX 340605, CTI Records – SAMX 340.605	French republic	1968	France — 1968			New Submission
	Un Dia En La Vida LP, Album, Stereo Gatefold	Tizoc – TAAMM 22001, Tizoc – TAAMM-22001, A&M Records – TAAMM 22001 +1 more than characterization...	Mexico	1968	Mexico — 1968

Ron Carter on the bass, Grady Tate on the drums, plus Herbie Hancock handling keyboards on this Don Sebesky conducted jazz LP that is one of the Superlative A&M releases of all fourth dimension...The Bumpin' Man, Wes Montgomery, takes u.s. from rails to track with a smoother jazz style than his usual down and dirty driving jazz recordings...Creed Taylor produced a whole slew of jazz product for the label and this i one of the Best...

The hype sticker in the photo mentions this is 180g but the release data does not — practise any owners/sellers know which is right?

Amongst the Creed Taylor produced A&Grand records recordings from Wes, this is one of the better ones. Some very nice playing and nice arrangements past the Don Sebesky Orchestra.
Recommended.

Shouldnt Wes, be in the credits? The album is his, I assume that he plays on it... Right?

Sounds cracking. I have no complaints about this pressing. I had wanted this to go a re-create of this album for a long time, now I'm glad I waited and passed on old beat upwardly copies I'd come across. Very glad to have added this to my collection. If I had to reduce my collection downward to but my acme ten favorites that I ain, this is one I would be holding on to.

Wes Montgomery is i of those essential jazz artists who found himself relegated to playing easy-listening commercial albums that ranged in quality from very good to rather poor. Sadly, A Day In A Life taken from the Beatles' song and covered here, is not very skillful at all, though in the same breath, it's not easily dismissed either, laced with entirely hazed smokey grooves that come up off with a sense of coincidental jaunty coolness.

It'south an anthology of cover songs that range from psychedelic popular to R&B soul, along with a smattering of Bossa nova influences that were all the rage during the mid 1960's and favored past many jazz musicians. That said, what the album does suffer from is whatsoever originality, where the majority of the songs come up across washed with overbearing stings (only mind to "When A Homo Loves A Woman) and a rather simple reading of the tunes, finding Wes bringing nothing new to the table, nor does he stand and deliver what is hither with a sense of forcefulness and mastering of a talented musical vision; and Wes Montgomery is certainly capable of so much more. Remember, Wes was the absolute dominate when it came to thoughtful well crafted and delivered electrical jazz guitar.

Times were changing with the rise of popular young people's music during these heady years, finding truly great artists filling the background of classic FM stations with sounds oddly and un-essentially related to those changing times. While this sounds as if I'm waving this anthology off, it did reach number 13 on the Billboard Top 200, number 1 on Billboard'south Jazz charting, and sliding in at number 2 on the R&B charts, though again, those sales were due entirely to the consumption of an older generation striving to exist hip, with the tracking "Windy" being a bonafide hitting.

All and all, this anthology stands with more resonance today than I gave it so many years ago when I was defenseless up in the Beatles, the Stones and then many others. While Wes doesn't use many effects hither, the sound delivered is quite sweeping in nature, nearly symphonic and very much alive, equally Montgomery's guitar comes across as if it is eerily singing, belaying an unexpected sense of drama. When all'due south said and done, this is all the same an essential album to become well acquainted with.

*** The Fun Facts: The album was recorded rather well, with the conversion to stereo, coming across sounding very natural and space filling. I've never been lucky enough to hear a flawless copy in mono, though that'due south loftier on my list.

Guitar: Wes Montgomery plays a Gibson L-five CES, with an article in Jazz Guitar saying "During his entire career Wes Montgomery played virtually exclusively a Gibson L-five cutaway electric Castilian guitar."

Regarding the comprehend art, I can't tell you if this was meant to be part of the new photography of the day, finding dazzler in the almost obscure of places, leaving this image of and ashtray filled with crushed unfiltered Lucky Strike and two single Salem cigarettes (featuring two gold bands) with traces of lipstick, forth with a unmarried wooden match, certainly seems rather dingy, uncool and rather undesirable … though (laughing) perhaps it shows Wes Montgomery's contempt for the record and the tenets that had been placed on him.

My copy: Spine is stamped Stereo A&B-SP 3001 Montgomery: A Twenty-four hour period In The Life
Full Gold spindle characterization.

Review by Jenell Kesler

Some input please. My version has a runout of CTSP-3001 3001-4 with the VAN GELDER postage stamp. This is similar to ane of the versions. Nevertheless, my label differs from this version as mine has the thinner "STEREO" above Side ane. Not sure how to approach this. Create a new version? Or pick one of the versions already created?

On my copy of this Canadian pressing, the last runway on Side 1, "Angel", has been replaced by "Eleanor Rigby". What sounds to my ears similar the exact same version of "Eleanor Rigby" is too the first runway on Side two. The track "Angel" is nowhere to exist found, although the title appears on the label and on the cover. The labels on the disc and the gatefold embrace are identical to those that can be viewed in a higher place by clicking the "more images" link.

Has anybody else seen this version? Thanks.

saltauthermse2001.blogspot.com

Source: https://www.discogs.com/master/237497-Wes-Montgomery-A-Day-In-The-Life

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